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By Derren Brown

Derren Brown's tv and degree performances have entranced and dumbfounded thousands. His baffling illusions and gorgeous set items - akin to The Seance, Russian Roulette and The Heist - have set new criteria of what's attainable, in addition to inflicting greater than their justifiable share of controversy. Now, for the 1st time, he unearths the secrets and techniques in the back of his craft, what makes him tick and simply why he grew that beard. methods of the brain takes you on a trip into the constitution and pyschology of magic. Derren teaches you the way to learn clues in people's behaviour and see liars. He discusses the whys and wherefores of hypnosis and indicates the right way to do it. And he investigates the facility of recommendation and the way you could vastly increase your reminiscence. He additionally takes an extended challenging examine the mystical and why a few of us suppose the necessity to think in it within the first position. Alternately hilarious, debatable and demanding, methods of the brain is key interpreting for Derren's legions of fanatics, and beautiful bloody impossible to resist no matter if you don't like him that much...

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Sample text

Nú ›Dlisk mér nafn þess er stal. A(men). ‘I exhort you, Odin, with heathendom, greatest of fiends; assent to this: tell me the name of the man who stole; for Christendom; tell me now your misdeed. One I revile, the second I revile; tell me, Odin! ) with all heathendom. Now you shall get for me the name of he who stole. ’ This is a supplication to Odin to reveal the name of a thief, and similar charms and prayers entreating that thieves and other malefactors be revealed are known from all over the Scandinavian and broader European world.

Stoklund, ‘Bornholmske Runeamuletter’, in W. Heizmann and A. van Nahl (eds), Runica, Germanica, Mediaevalia (Berlin 2003), pp. 854–70. 34 Hall, pp. 106–31 and 168–71. 35 On the amendment to skass-valkyrie (and further amendments) see Liestøl, Runer frå Bryggen, pp. 44–46 and idem, ‘Rúnavísur frá Björgvin’, pp. 37–38. GODS AND HEROES 37 myth. In fact there is a similar Gothic term sko#hsl ‘evil spirit, demon’ (comparable to German schicken ‘send’) which also derives from an original meaning ‘stick out’ that later came to signify ‘supernatural sending’.

Like the Vimose text, this inscription is a complete sentence and, much again as at Vimose, it appears to show some metrical or stylistic features. Each line appears to have six syllables, rhymes, and Aigil, Ailru#n and elahhu both alliterate and show a form of assonance centred on the sound l. Moreover, each of the lines is metrically the same, rhythmically and in length. The text appears, then, to be a short poem; it may even be a line taken from a longer work. More surprising for the first experts who interpreted the inscription, however, was the identity of Aigil and Ailrun.

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